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8 things to see in Buenos Aires, Argentina

Discover the “Paris of South America” on our ultimate walking tour of Recoleta and Retiro 

The iconic Teatro Colón in Buenos Aires, Argentina illuminated at dusk. The opera house is considered one of the best in the world for its acoustics.
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Buenos Aires has a wonderful tourist bus system, but the vibrant street culture and mix of architectural styles that have earned the city the moniker “Paris of South America” are best appreciated on foot. Lace up your walking shoes and follow our suggested route to some of the highlights of posh Recoleta and bustling Retiro.

These downtown neighbourhoods contain some of the city’s most important historical, cultural and political landmarks. As you make your way between them, keep your eye and camera out for dog walkers surrounded by clouds of canine pals, colourful street art — usually political in nature — and shop windows, newsstands and buses hand-painted in the ornate fileteado style, considered an intangible cultural heritage by UNESCO. Fileteado also served as the inspiration for Jacqui Oakley’s gorgeous illustrated map of the city below, which you can use to plan out your route. 

When to go

Summers in Buenos Aires (January to March) are hot and humid, and porteños (as citizens of Buenos Aires city are known) flee to beach resorts on the Atlantic coast. Visit in springtime (October to December) to enjoy milder weather, perfect for long, leisurely strolls down the city’s tree-lined avenues. The blossoming of the jacaranda trees in early November creates a canopy of vivid purple over the streets and parks and is worth timing your visit to see. 

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Biblioteca Nacional Mariano Moreno (Agüero 2502)

The National Library of the Argentine Republic, located in the Recoleta neighbourhood of Buenos Aires.
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This intriguing brutalist structure, designed in 1961 by noted Argentine architects Clorindo Testa, Francisco Bullrich and Alicia Cazzaniga, dominates the streetscape in several directions, making it a good reference point for your explorations around Recoleta. The library also often hosts exhibitions of art or notable works in its collection, so be sure to check their website (in Spanish only) for what’s on during your stay. The site itself is loaded with historical significance: Unzué Palace, the official residence of former president Juan Perón and his wife Eva Perón, once stood on the spot, but was demolished in 1955 following the coup that ousted Perón from power. A monument to Evita can be found in the plaza behind the library, facing the busy main thoroughfare of Avenida del Libertador. 

Floralis Genérica

The petals of the enormous steel and aluminum “Floralis Genérica” open each morning and close each night.
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Designed by Argentine architect Eduardo Catalano as a gift to the city of Buenos Aires, the impressive steel and aluminum “Floralis Genérica” sits in a reflecting pool in the United Nations Plaza, next to the University of Buenos Aires’ Law Faculty building. The kinetic sculpture represents the hope and possibilities that accompany each new day; the enormous petals open every morning at dawn and close at sundown. A tip for pedestrians: the Law Faculty footbridge will see you safely across the busy, four-lane Avenida Presidente Figueroa Alcorte. 

Museo Nacional de Bellas Artes (Av. del Libertador 1473)

There are many wonderful museums in which to pass an afternoon in Buenos Aires, but the fine arts museum — easily identifiable by its coral pink exterior — is worth a visit for its vast permanent collection of masterworks from the 19th and 20th centuries by both European and Argentine artists. The museum also regularly changes up its roster of temporary and visiting exhibitions, so be sure to check the website to see what’s on during your stay. 

Cementerio de Recoleta (Junín 1760) 

A plaque dedicated to Evita — one of several that surround the family vault where the populist icon is buried.
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She was born in poverty in rural Argentina; she died a hero of the working classes. Tributes and memorials to Eva Perón — affectionately known as “Evita” — are everywhere in Buenos Aires, but one of the most touching is the Duarte family mausoleum, where the populist icon’s remains were finally laid to rest in 1976, more than 20 years after her death. The story of what happened in the intervening decades makes for dramatic reading and helps to explain why Argentines still make a point of visiting the quiet Recoleta cemetery to leave flowers for their Evita. 

More Evita

If your only exposure to Eva Perón’s story has been the movie musical starring Madonna, plan a visit to Buenos Aires’ Evita Museum (Lafinur 2988). Tucked away on a quiet street near the Carlos Thays Botanical Garden, the former private mansion, which was acquired by Evita’s charitable foundation in 1948 to serve as a temporary shelter for homeless women and children, today offers visitors a walk through Evita’s life, from her career in film and radio, to her marriage to Juan Perón and first steps into politics, to her death from cancer at the age of just 33.

El Ateneo Grand Splendid (Av. Santa Fe 1860)

El Ateneo Grand Splendid bookstore in Buenos Aires.
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Bibliophiles will not want to miss this palatial bookstore housed inside the former Grand Splendid Theatre. The interior of the 1919 building has been lovingly restored, from the trimmings on the balconies and private boxes to the plush red curtain framing the stage. Sit and enjoy a coffee and a book on the stage where tango legends such as Carlos Gardel and Francisco Canaro once performed. 

Teatro Colón (Cerrito 628)

The Teatro Colón, considered one of the top opera houses in the world.
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Guided tours of this spectacular opera house, completed in 1908, are offered daily from 9 a.m. to 5 p.m. but fill up quickly, so it’s a good idea to book in advance. Highlights of the tour include the busts of famous composers that loom above the entrance doors to the auditorium, the aptly-named Golden Hall, where the upper classes mingled before and after performances and to which a knowledge of French was a requirement of entry, and the auditorium itself, with its five illuminated balconies rising to a soaring frescoed ceiling. Of course, the best way to experience the latter and its world-famous acoustics is to take in a performance. Ultra-affordable tickets can be scored last minute — if you’re willing to stand or forego a view of the stage. 

Obelisco/B.A. vertical garden sculpture (Av. 9 de Julio at Av. Corrientes)

The Buenos Aires obelisk and B.A. garden sculpture.
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Nowadays it seems like every city has its own giant name sculpture designed with Instagram in mind, but Buenos Aires took theirs a step beyond by making it a living vertical garden. For a fee, enterprising photographers onsite will help you stage your perfect shot right in front of the sculpture, but step a few feet to the right or left and you should be able to snap a decent pic for the folks back home without waiting in line. Completing the scene is the Obelisk of Buenos Aires, a national historic monument erected in 1936 to commemorate the 400th anniversary of the first founding of the city. 

Casa Rosada (Balcarce 50)

The flag of Argentina flies in the centre of the Plaza de Mayo, in front of the Casa Rosada.
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Set back at the eastern end of the sprawling Plaza de Mayo, the Casa Rosada (literally, “pink house”), Argentina’s presidential palace, is one of Buenos Aires’ most iconic buildings. It owes its rosy hue to former Argentine president Domingo Sarmiento, who in an effort to defuse political tensions in the mid-19th century is reported to have ordered the building painted pink, representing a mix of the colours of the country’s two leading political parties. In the 40s and early 50s, Juan and Eva Perón were known to address crowds of their supporters from the balcony of the palace, and in 1996, the makers of Evita obtained the government’s permission to film the musical’s smash hit number, “Don’t Cry for Me, Argentina,” on location. 

Alexandra Pope (@XelaEpop) is Canadian Geographic Travel‘s digital editor. Jacqui Oakley (@JacquiOakley) is an illustrator whose previous work for the magazine was rendering the fictional world of a post-embargo Havana in La nueva Cuba.


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