Aspen Starr of Biigtigong Nishnaabeg clung to every lesson that De Corte and Manitowabi imparted. A dancer herself, Aspen teaches me about the ribbon skirts the youth were gifted as part of the camp. “Ribbon skirts are shaped like teepees because they’re meant to feel like home,” she says. “So, whenever I dance, I feel like I’m home. And that Powwow circle, the people I dance with, they’re all my family. They’re my siblings. And I’m glad I get to be at home.”
This familial sense of belonging was felt so strongly at the camp in a way that isn’t always possible for Indigenous students in the settler-colonial school system. The youth saw their culture reflected in the work of all the adults around them. They saw Anishinaabe as scientists, teachers, photographers, activists, artists, singers, dancers, athletes. And, in every career path, they witnessed Indigenous knowledge and respect for our more-than-human relations guiding the work.
On one of the final days of the camp, the campers don their ribbon skirts and shirts, and introduce themselves to the water, offering tobacco, the way they’ve learned. This time, they wade in equipped with pipettes, clipboards and sample containers as part of a stream assessment led by charity Water First, which works with Indigenous communities to address water challenges.
Sitting on the banks of the stream, they analyzed their samples and discussed bio-cultural stream assessments. Later, they viewed those same samples under a microscope, marvelling at the infinitesimal life water holds, while conducting a benthic macroinvertebrate study to calculate a water quality index. In a perfect example of two-eyed seeing, the camp infused Western scientific ways of learning about water into traditional Anishinaabe ways of learning from water.
“Reconnecting [to culture] and learning these things has changed how I walk through the world,” says Aki Kikinomakaywin project lead Lydia Johnson of the Cree Nation. “I hope for that for them too.”